Scheme of B.F.A. Examinations

Scheme of Examination of Bachelor of Fine Arts ( B.F.A.)
(Foundation Course) in Drawing & Painting, Applied Arts and Sculpture  (w. e. f. the academic session 2009-2010)(Revised)

B.F.A. 1St Year    

Paper No.	Nomenclature of the Paper       Max. Marks    		Time Allowed
						Sessional   Examination
I (Theory)        Hindi				   ----		  50			3 Hrs.

II ( Theory)     Communicative English	   ----		  50			3 Hrs.

III( Theory)     Appreciation and Fundamentals 
of Visual Arts			   ----		100			3 Hrs.

IV   ( Practical) Drawing			    50		  50			6 Hrs.

V       -do-       Design-2D & 3D		    50		  50			6 Hrs.

VI      -do-      Pictorial Design/Painting	    50		  50			6 Hrs

VII     -do-      Print Making			    50		  50			6 Hrs.

VIII    -do-     Clay Modelling		     	    50		  50			6 Hrs.

IX      -do-     Geometry, Perspective	    	    50		  50			6 Hrs.
		& Calligraphy

			Total Marks		   300      +	500       = 	800

B.F.A. 2nd Year
 (w. e. f. the academic session 2009-2010)

Paper        Group of   specialisation           Nomenclature of          Maximum                        Time    
No.           A= Drawing & Painting              the paper                     Marks                          Allowed      
                 B= Applied Art 
	    C=  Sculpture				
                 (Note : - The student has
    to opt for one of the group)                                              Sessional-Examination	    	      

I     (Theory) 	Group A,B&C		History of Ancient Art  	-----	100	3 Hrs

II      -do-	   -do-			Art and Society                 	-----	100	3 Hrs

III     -do-	   -do-      		Methods & Materials	       	----- 	100	3 Hrs
	
IV     -do-	  -do-			Communicative English 	-----	100	3 Hrs	

Stream:  Drawing & Painting (Group-A)

V (Practical)    Group-A  		Drawing 			100 	100	 18 Hrs
VI	-do-	       -do-		Head Study			100	100       18 Hrs     
VII	-do-  	       -do-	     	Pictorial Composition    	100	100  	 18Hrs     VIII    	-do- 	       -do-		Print Making	     	              50	  50	 12 Hrs					           & Photography	     	              50        50       12 Hrs 
Stream: Applied Art (Group-B)
V (Practical)	   Group-B		Drawing	                        100       100	 18Hrs        VI      -do-             -do-		Press Layout        		100       100 	 18Hrs      VII     -do-             -do-		Poster Design                          100   	 100	 18Hrs     VIII    -do-	      -do-		Graphic Design	            100	 100      18Hrs

Stream: Sculpture (Group-C)

V   (Practical)    Group-C                  	Drawing 	                        100	   100	 12Hrs                              
VI    	-do-	   -do-	                     	Composition	                   	100         100	 18Hrs
VII        -do-	   -do-		         	Portrait                            	100         100  	 18Hrs
VIII     	-do-         -do-		         	Advance Composition             	100         100	 18Hrs					
Total		=     400   +   800      =        1200

B.F.A. 3rd Year
(w. e. f. the academic session 2010-2011)

Paper        Group of   specialisation            Nomenclature of          Maximum                        Time    
No.           A= Drawing & Painting              the paper                     Marks                           Allowed      
                 B= Applied Art 
	    C= Sculpture				
                 (Note: - The student will 
    Continue the same specialisation 
    as opted in 2nd year)                         			Sessional-Examination 

I   (Theory) 	Group A, B&C   	History of  Indian Art	   ------        100  	 3 Hrs
II     -do-	    -do-			History of Western Art     ------        100		 3 Hrs
III    -do-	Group A		Aesthetics (Indian) 	   ------	      100		 3 Hrs	
		Group B  	 	Advertising Profession & Practice    100		 3 Hrs
                          Group C	 	Aesthetics (Indian)           ------         100		 3 Hrs

Streams: Drawing and Painting (Group-A)

IV (Practical)   Group A                        	Head Study 	                100         100             24 Hrs    
& Drawing from Life	      
V       -do-           -do-                          	Composition	     	    100         100             24 Hrs
VI     -do-            -do-                          	Print Making	                100         100             18 Hrs
VII    -do-            -do-			Mural			    100	       100             24 Hrs

Stream: Applied Arts (Group-B)               

IV   (Practical)    Group-B               	Magazine Lay-out	    100          100	 	18 Hrs
                                                         	and Typography	
V    	-do-	   -do-	                  	Poster Design	                 100          100	 	18 Hrs
VI        -do-	   -do-		      	Printing & Photography-I 100         100  	 	18 Hrs
VII     	-do-         -do-		         	Computer Graphics-I         100          100	 	12 Hrs	

Stream: Sculpture (Group-C)

IV   (Practical)    Group-C                 	Drawing		      100          100	 06Hrs                              
V    	-do-	   -do-	                    	Composition	                  100          100	 24 Hrs
VI        -do-	   -do-		        	Life Study (Portrait /Torso)100          100  	 24 Hrs
VII     	-do-         -do-		        	Advance Composition        100          100	 24Hrs					
Total		=     400   +   700      =        1100

B.F.A. 4th Year 
 (For Sculpture, w. e. f. the academic session 2011-12 onwards)

Paper        Group of   specialisation              Nomenclature of          Maximum                  Time    
No.           A= Drawing & Painting               the paper                      Marks                       Allowed      
                 B= Applied Art 
	    C= Sculpture				
                 (Note: - The student will
    Continue the same specialisation
    As opted in 2nd year)                            			Sessional-Examination 

I (Theory) Group A,B&C           	 History of Indian Art	    	     ------      100            3Hrs
II    -do-         -do-                          History of Western Art	     ------      100            3Hrs
III  -do-          Group A                   Aesthetics (Western) 	                  -----     100            3Hrs
	         Group B  	               Advertising Profession & Practice -	      100  	3Hrs.	
                      Group C  	              Aesthetics (Western)	                 ------      100	  	3Hrs 

Stream: Drawing and Painting (Group-A)

IV (Practical)   Group-A 	Portrait Painting &           	100	  100         	  30 Hrs
            Life Study		
V     -do-            -do-               Advance Composition	    	100        100            	  24 Hrs	
VI    -do-            -do-           	Print Making		     	100      	  100       	  30 Hrs	
VII   -do-            -do-	 	Mural			    	100	  100           	  30 Hrs	

Stream: Applied Arts (Group-B)

IV (Practical) Group-B   	Product Campaign Design	100          100		30Hrs
V       -do-            -do-             	Social Campaign Design	100          100     	30Hrs
VI      -do-           -do-              Printing and Photography-II	100          100	  	24Hrs
VII     -do-           -do-              Computer Graphics-II	   	100          100      	18Hrs

.

Stream: Sculpture (Group-C)

IV (Practical) Group-C              Drawing	                                	100          100       	 06Hrs
V       -do-            -do-            Composition	                        100          100     	 	 24Hrs
VI      -do-           -do-             Life study (Full Figure)             100          100	  	 24Hrs
VII     -do-           -do-            Advance Composition	      	100          100      	 24Hrs

Total	                  400   +    700       =   1100	

Detailed Syllabus of BFA

 1st Year 
Foundation course (One year)
Theory Papers:

Paper-I 	Theory		Hindi
Time-3 hrs			Maximum Marks-50

No. of question to be set: 10
No. of question to be attempted: 5
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Paper-II 	       Theory		Communicative English
Time- 3 hrs.			             Maximum Marks-50

No. of question to be set: 8
No. of question to be attempted: 8 (With internal choice)

Part- A  (26 Marks)

A.	Chronicles of Time edited by Asha Kadiyan, Reader in English, M.D. University, Rohtak.
B.	The Pointed Vision : An anthology of Short Stories by Usha Bande and Krishan Gopal. (Oxford University Press, New Delhi, with the following deletions and additions.)
Deletions:
(i)	“The Saint and the Goblin”
(ii)	“Happiness”
(iii)	“Hands”

Additions to be made:
(i)	Anton Chekhov’s “The Bet”
(ii)	Rabindra Nath Tagore’s “The Postmaster”
(iii)	O. Henry’s “The Gift of the Magi”

Scheme of Examination
Q.1	Explanation with reference to the context.
The candidate will be required to attempt two passages (with internal choice from the book of Poems).							(8 marks) 

Q.2	Short-answer type questions on poems (four questions to be attempted out of the given eight).
OR
Four short-answer type questions will be set on the prescribed short-stories. The students will be required to attempt any four out of the given eight questions.	(8 marks)

Q.3	One Essay-type question (with internal choice) will be set on each of the prescribed texts A & B. Students will be required to attempt one question each from both the texts.
   								(5 x 2 = 10 Marks)
Part B (24 Marks)

Text Book Prescribed: 
A Remedial English Grammar for Foreign Students by F. T. Wood.
Q.1	Items based on the examples / exercises given in the prescribed text-book of Grammar.
(8 Marks)
	The following topics are to be studied in detail:

Topics								Chapter No. of the
     prescribed text-book
1. Articles								1
	2. Agreement of  Verb and Subject					2
	3. Difficulties with comparatives and superlatives			10
	4. Prepositions								13
	5. Tenses								16
	6. Infinitive								20

Q.2	(a)	Idioms and Phrases
	(b)	Synonyms / Antonyms						(4 Marks)
										
Q.3	Paragraph:-
The candidate will be required to write a paragraph on any of the five given topics.
(4 Marks)
Q.4	Letter/ Application 
	Students will be asked to write a letter or an application. The question will carry internal 	choice.                        							(4 Marks) 
											           Q. 5	Translation (from Hindi to English, of a passage consisting of 6 to 8 sentences.)
   										(4 Marks)
Paper-III 	Theory		Appreciation and Fundamentals of Visual Arts
Time- 3 hrs.			Maximum Marks- 100

No. of question to be set: 15
No. of question to be attempted: 10
Details of course works:

a)	Definition of art, its various forms and approaches-representational, conceptual etc.
b)	The basic concepts of line, form, space, colour, tone, texture and contents.
c)	Application of terms:- balance, rhythm, unity, harmony, perspective and dominance.
d)	Varieties of mediums applicable in art works:- oil colours, acrylic, water, tempera, Metals, clay, wood, print-making process etc.
e)	Geometry and Perspective: different types- one point, two point, three point, oblong, parallel perspectives; geometrical principles in designs. 
f)	Relationship of art with society, religion and culture.
g)	Introduction to different approaches in studying art and criticism: philosophy of art, formalistic approach, psychological approach and content analysis.
h)	Theory of colour
i)	Art and Visual perception.

Practical Papers:

Paper-IV 	Practical	Drawing   
Time- 6 hrs			Maximum Marks-100 (Sessional-50; Examination-50)

Size:  Quarter sheet.
Medium: Pencil, Charcoal, Crayons, Pastel, Water Colours, Pen and Inks.
Note: Candidate will have to choose any of the above medium in the examination.
Detail of course work:
                   Drawing exercises are to learn accurate observation and skills of graphic presentation in free hand drawing exercises from objects and nature to study proportion, volume and visual perspective, suggestion of solidity by line, mass, value and texture; emphasis on  variety of visual experiences.								
a)	Study of proportion, line, colour, form, tone, texture and graphic representation.
b)	Nature Drawing: study of various natural forms.
c)	Drawing from various man-made objects.
d)	Drawing from memory- to develop the sense of observation and the capacity  to retain and recall images and their co-ordination.

No. of assignments:
Nature drawings: 6
Drawing from man-made object : 6
Drawing from memory : 5
Free-hand sketching: 1000

Paper-V	Practical	Design-2D and 3D
Time-6 hrs			Maximum Marks-100 (Sessional-50; Examination-50)

Courses of study:
Study of two-dimensional space and its organisational possibilities. 

a)	Elements of pictorial expression related to concepts of space and forms. Developing an Awareness of pictorial elements such as point, line, shape, volume texture, light and colour, Basic design problems.
b)	Study of various types of objects (natural and man-made) with a view to transform them into flat pictorial images. 
c)	Developing an awareness of pictorial space-division of space form and its relation with space observation of primitive, folk and miniature paintings as well as graphic designs. 
d)	Developing an awareness of inter-relationship of different shapes and forms relative values.
e)	Activation of space through form and colour - Optical illusions.
f)	Handling of various types of material for pictorial Organisation and rendering, such as: 
       Pencil, pen, brushes, water colours, poster paints, pastel crayon, inks, cellophanes, oil             	newsprint and other college material, gums and adhesives, wax crayon with inks, etc.,
g)	A co-ordinated series of basis design problems with aesthetic and analytical approach. 

Study of three-dimensional space and its organisational possibilities. 

a)	To develop the sense of structure. 

b)	Operational problems in building up structure.

c)	 Gravitational and mechanical principles. 

d)	Principles of composition and the study of the principles that hold the structure. 

e)	Simple assignments in organising various units through: 

      Symmetrical load bearing structure
      Cantilever construction. 
Flexibility and ability to stretch
      Geometrical regularity
      Arched structure. 
      Control of tensions
      Hinge construction.

f)	Expanding structure through unit etc. Experiments through various types of material and their combinations such as:- 
Paper, cardboard, wood block, wire, clay, plasticine, plaster of paris, metal sheets, plastic form thermo-cole, string, gums and adhesives, wax found objects etc.

Types :
1. Carved 2. Modelled 3. Perforated (bored through) 4. Mobile 5. Various methods of joining such as interlocking, pasting etc. 

No. of assignments:
		2-D Design: 8
		3-D Design: 7

Paper-VI	Practical	Pictorial Design\ Painting
Time-6 hrs			Maximum Marks-100 (Sessional-50; Examination-50)
Size: Quarter Sheet
Medium: Water colour, Acrylics and Oil.
Courses of study:

(a) Compositional exercises based on studies of objects and groups in space, on studies of the local scene.. (b) Compositional analysis of paintings; exercises in the use of colour and textural values.
i)	The objective of Painting lessons is to learn theory of colours and develop the ability to draw and paint with them.
ii)	Painting from objects and nature (landscape) study of colour, form, tone, and texture.
 
No. of Assignments: 10

Paper-VII	Practical	Print Making
Time-6 hrs			Maximum Marks-100 (Sessional-50; Examination-50)

Anticipatory and imaginative use of gathering impressions. 

Fundamentals of various methods of taking prints. 

Observation of intrinsic texture of various surfaces and the textures of natural and man-made things. 

Assignments in: Rubbing, potato prints, mono-print, Lino cut, wood cut etc.
 
Techniques of taking prints in: - Mono colour, Two colour, three colour.
Experience of printing of different types of surfaces: Rice Paper, Hand made paper, 
Various types of fabrics (clothes) 

Experience of Hand printing with wood blocks, printing through press, Methods of inking

No. of Assignments: 15

Paper-VIII	Practical	Clay Modelling
Time-6 hrs			Maximum Marks-100 (Sessional-50; Examination-50)
Medium: Clay, Plaster of Paris, Paper, Metal Foil Sheet etc.

Courses of study:
(a)	Learning to see, experience and study of natural or man-made objects involving perception, analysis of perceptual elements and understanding of their relationships. In round-Natural or man-made objects, in relief most familiar areas of contact. 
(b)	Introduction to sculpture-basic elements and their relationships-Sculptural exercises based on studies from nature, human figures or other areas of contact. 
(c)	Exercises in sculptural expression-manipulation of space and volumes using different materials. 

No. of assignments: 10

Paper-IX	Practical	Geometry, Perspective and Calligraphy
Time-6 hrs			Maximum Marks-100 (Sessional-50; Examination-50)

Size: Quarter sheet.		Medium: Pencil, Pen and Ink.
Note: Candidate will have to do one each assignment of Geometry and Perspective, and Calligraphy
Courses of study:

Perspective :
a)	Introduction to orthographic projections in simple positions, drawing of plan, elevation and selection of simple objects to scale, full size reduced or enlarged.
b)	Isometric projections.
c)	Parallel and angular perspective based on simple solids of basic shapes.
Geometry : 
             Simple geometrical drawings-line and angles, triangles, quadrilateral, squares, polygons    	and circles, simple scales.
Calligraphy : 
d)	Basic discipline of beautiful handwriting, sense of letter form- simultaneous judgement of the composition of letter's spacing organization - intuitive and logical planning of writing development of style. 
e)	A co-ordinated series of assignments of script writing with different types of traditional and modern tools. Students should be exposed to calligraphic examples of various traditional scripts.

No. of Assignments: Geometry & Perspective: 8; Calligraphy: 10 

STREAM: DRAWING & PAINTING

                                                        GROUP A
2nd YEAR 

Theory Papers
   
Paper-I             HISTORY OF ANCIENT ART   ( Theory)
Time-3 hrs	Maximum Marks: 100 
NOTE:	 	(i)  No. of Questions to be set- 15
(ii) No. of Questions to be attempted - 10
(iii) The questions are to be equally distributed among all the topics of the         Syllabus.
                        (iv) All questions will be of equal marks		
Courses of study:
A.	INDIAN ART: 
Emphasis will be given on the social, religious and formalistic development of Indian Art:
-Evolution of prehistoric cultures in India.    
Pre-Historic: cave paintings at BhimBetaka and other important sites in Madhya Pradesh, Mirzapur, Bellari.
Proto-Historic: Indus Valley, Daimabad and Megalithic cultures.
Sculptures (including terracotta) and Architecture from 3rd century BC to 6th century AD:
-Mauryan sculptures and pillars.
-Stupa Sculptures and Architecture: Barhut, Sanchi, Amaravati, Nagarjunkonda, Goli.
-Bodh Gaya, Mathura, Sarnath, Gandhar, Eran, Deogarh, Ahicchatra, Kosambi etc.
-Cave Sculptures and Architecture: Bhaja, Karla, Nadsur, Junnar, Ajanta, Ellora, Pitalkhora, Kanheri, Elephanta,Kondivite.
-Importantance of art-historical sites for their stylistic development: Deogarh, Eran, Kosambi, Udaygiri etc. 
B.   WESTERN ART: 
			Pre-Historic: Altamira, Lascuss.
Egyptian: Tomb sculptures and paintings- archaich period, old and middle kingdom, etc.
			Mesopotamia: Sumer, Babylon, Assyria, Persia.
			Minoan and Mycenaean Art. 
			Greek sculptures: four phases of development of Greek sculptures.
			Roman sculptures and paintings.
			Early Christian and Byzantine period, 
			Romanesque.

Paper: II           ART AND SOCIETY  (Theory)
Time- 3 hrs.	Maximum Marks:100
NOTE:	  	(i)  No. of Questions to be set- 15
(ii) No. of Questions to be attempted - 10
(iii) The questions are to be equally distributed among all the topics of the Syllabus.
                        (iv) All questions will be of equal marks.
-Introduction to sociology and anthropology.
-Races of man.
-Aspects of culture, universals in cultures, cultural patterns and environment and culture.
-Kinship groups, clan, tribes.
-Social norms and values and condition of learnings.
-Social stratification and classes: its genesis and development.
-Marriage and family.
-Function of technology and economy: utilisation of natural resources and production of  
  art.
-Political system, forms and government and party structures: political statement of art.
-Religion, beliefs, rituals, clergy, sectarianism and manifestation of art.
-Folklore, myths and language.
-Socio-cultural change and its interaction with art.
-Art Schools, Art World and Art Galleries/ Market. 

Paper-III         METHODS & MATERIALS  (Theory)
Time-3 hrs	Maximum Marks: 100 
NOTE:	  	(i)  No. of Questions to be set- 15
(ii) No. of Questions to be attempted - 10
(iii) The questions are to be equally distributed among all the topics of the    
	Syllabus.
                        (iv) All questions will be of equal marks.	
			
Courses of study:
A.	Importance of Methods and Materials,
Nature and Characteristics of Drawing and Painting media such as pencil, crayon, charcoal, pen and ink, watercolour gouache, pastel and oil paint.
B.	Introduction to Mural and Print making media. Fresco Buono, Fresco Secco, Mosaic method: direct and indirect method, distemper and application of various techniques in Mural makings, and Silk-screen, Etching, Lithography, wood-cut,  respectively. 
C.	Ceramics and Glass.
Folk Art: Madhubani, Kalamkari and Pat-chitra, Miniature Painting.
D.	Gums and glues, Resin and Varnishes.
Drying oils, thinners and siccatives.
Practical: Mounting and Pasting of Art Works/ coating surface on paper etc.
E.	Preservation, Restoration methods and techniques.
F.	Preparation of canvas, and other ground surfaces for the paintings.
G.	Computers: hard-wares and soft-wares.

Paper IV           COMMUNICATIVE ENGLISH (Theory) 
Time- 3 Hrs	 Maximum Marks: 100
NOTE:	  	(i)  No. of Questions to be set- 06
(ii) No. of Questions to be attempted - 06
(iii) The questions are to be equally distributed among all the topics of the     	Syllabus.
                        (iv) All questions will be of equal marks.

Part A- (50 Marks)
Courses of Study
A)  Collection of poems edits by Dr. S.K. Sangwan.
b)  Snap Shots (one act plays edited by Dr. S.K. Sharma)

Scheme of Examination
Q.1  Explanation with reference to the context The candidates will be required to attempt 
two passages (with internal choice) one from the book of poems and the other from    
the book of one act plays.					10+10=20 Marks

Q.2  Short Answer type questions:
Ten short answer type questions will be set from the prescribed poems. The students 
will be required to attempt five questions out of the given ten questions. 
										10 Marks

Q.3  One essay type questions (with internal choice will be set on each of the poems and 
one act plays. Students will be required to attempt one question each from both text
books.									20 Marks

Part B- (50 Marks)

Text book prescribed: A course book of English Grammar, Composition and translation edited by Sanjay Kumar and Inderjit Kumar.
Q.4 Questions on Grammar on the prescribed items will be based on prescribed text book 
of grammar but not necessarily be the same as those given in the text-book.
The following topics are to be studied in detail:
1.	Tenses.
2.	Subject verb concord.
3.	Active and Passive voice.
4.	Narration.
5.	Common Errors.
6.	Idioms and Phrases.					24 Marks
Q.5 The candidates will be required to write an essay ( in about 250 words on any of the five given topics.						16 Marks

Q.6 Translation (from English to Hindi) of passage consisting of seven to eight sentences.                                                                                                     10 Marks
	
Practical Papers

Paper-V 	             DRAWING:
		   	Practical	     Group (A)
Time-18 hrs		Maximum Marks-200 (Sessional-100; Examination-100)
			Medium: Pencil, charcoal, crayon 
	
Courses of study:
Introduction to various aspects and techniques of drawing. Time bound exercise.
(a) 	Still Life; Selection and arrangement of objects, composition, eye level, structure, source of light and its effect, tonal and textural values.
(b) 	Life drawing: Full Figure, Study of human anatomy, proportion, planes and masses, posture and rhythmic unity of body parts, foreshortening, quick time sketches and finished drawings.
(c) 	Outdoor : Selection of spot, picture frame observation and study of variations       in  nature, additions and elimination, simplification, eye levels and perspective, balance and rhythms for use in composition.
No. of assignments:  	Still life-10
			Life Drawing-10
			Nature Study-10
			Freehand sketching-1000

Paper-VI 		HEAD STUDY
		             Practical	Group (A)
Time-18 hrs		Maximum Marks-200 (Sessional-100; Examination-100)
			Medium: Pencil, charcoal, crayon, pastels 
Courses of study:
Head Study; Construction of the skull: planes and masses of the head , bust from different angles and eye levels: adding of details and finishing.                                                                                                                                                                                 
No. of assignments: 10
		
Paper-VII 		PICTORIAL COMPOSITION 
			Practical	Group (A)
Time-18 hrs		Maximum Marks-200 (Sessional-100; Examination-100)
			Medium: Water colour, Acrylics and Oil.
Courses of study:
Compositional exercises based on studies of objects and groups in space, on studies of the local scene. Compositional analysis of paintings; exercises in the use of colour and textural values.
 No. of assignments: 10

Paper-VIII 		PRINT  MAKING  & PHOTOGRAPHY
			Practical	Group (A)
Time-12 hrs each        Maximum Marks-200 {100 each (Sessional-50 each; Examination-50 	each)}
			Medium: As required.
Courses of study:	Principles of stencil printing. Preparing drawing for stencils. Preparing frame for printing. Working with glue and tusche for printing.
	Different methods of photography, use of camera, observation and selection of subjects, exposing, indoors, outdoors, process of developing and printing.
No. of assignments: 10

3rd YEAR 

Theory Papers
Paper: I-          HISTORY OF INDIAN ART  (Theory) 
Time: 3 Hrs.	Maximum Marks: 100
NOTE:      (i)  No. of Questions to be set- 10
                (ii) No. of Questions to be attempted - 5
      (iii) The questions are to be equally distributed among all the topics of             the Syllabus.
                (iv) All questions will be of equal marks.	
Courses of Study:
Painting, Sculptures and Architecture: (from 6th-7th century AD onwards)
Chalukya, Pallava, Rashtrakuta period: rock-cut architecture and sculptures at Ellora, Mahabalipuram, Badami. 
Early structural temples at Aihol, Pattadakal etc.
Temples and sculptures in Orissa, Khajuraho and in western India, Pala and Sen Sculptures.
Stone and Metal sculptures
Art in South India: Hellebid Bellur, Bronze sculptures from chola to Vijaynagar period.
Paintings at Badami, Ellora.
Pala manuscript paintings.
Western Indian Paintings: Rajasthani paintings: Mewar, Bundi, Kota, 
Mughal Miniatures and Pahari paintings.

Paper: II-        HISTORY OF WESTERN ART  (Theory) 
Time: 3 Hrs.	Maximum Marks: 100
NOTE:	  	(i)  No. of Questions to be set- 10
(ii) No. of Questions to be attempted - 5
(iii) The questions are to be equally distributed among all the topics of the 	Syllabus.
                        (iv) All questions will be of equal marks	

Courses of Study: 
			Emphasis should be given on the different stylistic characteristic:
			Gothic period
Renaissance – Early: Cimabue, Giovanni Pissano, Giotto, Duccio, Simon Martini 
Renaissance Art at Rome, Florence, Venice, Netherland, German, France etc.: 
Donatelo, Ghiberti, Fabriano, Masaccio, Fillipo Lipi, Fra Angeleco, Piero Della Francesca, Verrocchio, Botticelli, Petrugino, Mantegna, Bellini, Van Eyck.
High Renaissance: Leonardo, Michaelangelo, Raphael, Titian, Giorgione, Durer, Holbein, Bruegel.
Mannerism: (16th C): Painters: Rosso, Parmagianino, Corregio, Tintoretto,         El Greco. 
Sculptors: Bologna, Cellini, Jean Goujon.
		Baroque: (17th C): Carracci, Caravaggio, Frans Hals, Rembrandt, Vermeer, Rubens, Velasquez, Poussin, Claude Lorrain, Bernini.

Paper: III        AESTHETICS (Indian)  group-A  (Theory)
Time: 3 Hrs.	Maximum Marks: 100
NOTE:	  	(i)  No. of Questions to be set- 10
(ii) No. of Questions to be attempted - 5
(iii) The questions are to be equally distributed among all the topics of the 	Syllabus.
                        (iv) All questions will be of equal marks.	

Courses of Study:
 A.  An introduction to Indian Aesthetics and its brief historical background. Brief introduction to the basic principles of Indian philosophy as related to arts. Developments of theories of rasa, Dhvani, Bhava, Alankar, Auchitya, Riti,  Guna-Dosh, Vyanjana etc.
B.	Inter-relationship of Visual and Performing Art.
C.	Fundamentals of Indian Art based on Hindu Shilpa Texts such as Vishnudharmottara Puran, Samarangana, Sutradhar, Sukranitisara and Shilparatnam.
D.	Detailed studies related to Rasa-nishpatti, its forms and types
   Shadanga – the six limbs of Indian Art.
E.	Theories related to origin and creation of Art, namely, Communication,
    Expression and release of emotion.

Practical Papers 

Paper-IV          HEAD STUDY AND DRAWING FROM LIFE
		Practical	Group (A)
Time-24 hrs		Maximum Marks-200 (Sessional-100; Examination-100)
Medium: Pencil, ink, charcoal, crayons, water colour, pastels, oil colours etc.

Courses of study:
Analytical Drawing: drawing as an art form, formation of style.
(a)	Head Study: Detailed study of structural characters of human head
(b) Life Drawing: study of features, drawings in various media with emphasis on 
manner of execution.
 (c) Full figure: Study of the human form and its features, proportion, line and mass.

No. of assignments: 15; Freehand sketching-1000.
		
Paper-V            COMPOSITION
		 Practical	Group (A)
Time-24 hrs		Maximum Marks-200 (Sessional-100; Examination-100)
			Medium: Oil and water colours.

Courses of study:
			Pictorial space and horizon line, arrangements in 2-D and 3-D, sub-division and grouping, compositions based on objects, figures, interiors and landscape.
No. of assignments: 10

Paper-VI          PRINT MAKING
		Practical	Group (A)
Time-18 hrs		Maximum Marks-200 (Sessional-100; Examination-100)

Courses of study:
	Advanced work in multi-colour silk screen printing, basic fundamentals of lithography technique, introduction of intaglio, Photo process, printmaking in Intaglio, lino, wood-cut, use of multi-colour relief print and mixed media.
No. of assignments: 10

Paper-VII	MURAL
	             Practical	Group (A)
Time-24 hrs		Maximum Marks-200 (Sessional-100; Examination-100)

Courses of study:
	Mosaic, Direct and Indirect methods, Designs, Materials and Techniques.
No. of assignments: 10

4th YEAR 

Theory Papers

Paper: I          HISTORY OF INDIAN ART (Theory) 
Time: 3 Hrs.	Maximum Marks: 100
NOTE:	  	(i) No. of Questions to be set- 10
(ii) No. of Questions to be attempted - 5
(iii) The questions are to be equally distributed among all the topics of the 	Syllabus.
                        (iv) All questions will be of equal marks.	
Courses of Study: A survey of following art movements:
A study of the following art movements and significant contribution of 
different painters and sculptors in the development of Modern Indian Art:
Company School, Tanjore School of Paintings, Kalighat Paintings, Raja Ravi Verma, Amrita Shergill.
Establishment of Art Schools in India.
Bengal School: Abanindranath Tagore, Nandalal Bose, Jamini Roy, Gagendranath Tagore, Rabindranath Tagore, Ram Kinker Baij.
Progressive Artists Group: Hussain, Souza, Raza, Ara.
Other Bombay painters: Padamsee, Tyeb Mehata, Sabavala, Ram Kumar.
Calcutta Painters: Paritosh Sen, Bikash Bhattacharya, Prodosh Das Gupta. Madras and South: KCS Panniker, Sultan Ali, Nand Gopal, PT Reddy, Ramchandran.
Delhi and North: Satish Gujral, Kishen Khanna, BC Sanyal, Biren De, Anupam Sud, Dhanraj Bhagat, Sehgal, J. Swaminathan, P.N.Choyal.
Baroda: N. S. Bendre, K.G. Subramanyam, G.M. Sheikh, Bhupen Khakkar, Sankho Choudhury, Mahendra Pandya, Vivan Sundaram.
Significant Women Painters: Naina Dalal, Nalini Malani, Anjoli Ela Menon, Arpita Singh, Aparna Kaur, Pillo Pochkhanwala.

Independent developments and some contemporary trends in Contemporary Indian Art.
Paper: II-     	HISTORY OF WESTERN ART (Theory)	
Time: 3 Hrs.	Maximum Marks: 100
NOTE:	  	(i) No. of Questions to be set- 10
(ii) No. of Questions to be attempted - 5
(iii) The questions are to be equally distributed among all the topics of the 	Syllabus.
                        (iv) All questions will be of equal marks.	

Courses of Study:  A survey of following art movements:
	Rococo (18th C): Watteau, Boucher, Gainsborough, Hogarth, Reynolds.
	Neo-Classicism: (19th C): David, Ingres.
Romanticism: Goya, Delacroix, Gericault, Turner and Constable.
Realism: Courbet, Corot, Millet, Duamier.
Impressionism: Manet, Monet, Degas, Renoir.
Post-Impressionism: Cezanne, Van Gogh, Gauguin.
Cubism: Picasso and Braque.
Fauvism : Matisse.
Expressionism: Munch, Nolde, Paul Klee, Kandinsky.
Dada and Surrealism: Duchamp, Dali, Miro.
Abstractionism: Jackson Pollock, Vasareily, David Hockney.
Eminent Sculptors of the Modern period: Rodin, Picasso, Brancusi, Henry. Moore, Barbara Hepworth, Smith.

Paper: III     	AESTHETICS (Western) (Theory)	
Time: 3 Hrs.	Maximum Marks: 100		 
NOTE:	  	(i)  No. of Questions to be set- 10
(ii) No. of Questions to be attempted - 5
(iii) The questions are to be equally distributed among all the topics of the 	Syllabus.
                        (iv) All questions will be of equal marks.	

Courses of Study:
A.	Nature of Beauty:-
Plato, Aristotle, Plotinus, Kant, Hegel, Marx, Croce.
Theories relating to origin of Art.
B.	Imitation, Play and Intuition. Role of Sub-conscious and conscious mind in artistic creation.
C.	Theories relating to Works of Art: Organic structure, content and Form, Expressiveness
D.	Theories relating to Response and Appreciation: Empathy, Psychical Distance, Pleasure, Art in relation to society.

Practical Papers: 

Paper-IV	PORTRAIT PAINTING & LIFE STUDY
	             Practical	Group (A)
Time-36 hrs		Maximum Marks-200 (Sessional-100; Examination-100)
			Medium: Oil colours on canvas, water colours etc.

Courses of study:
	Creative drawing and various international trends.
	Portrait: Advanced studies complete with foreground and background, character and expression, composition in different settings, development of a personal style. 
	Life Painting: Full figure – Study from full figure with emphasis on delineation of character, dramatisation, distortion and various expressions, composition of figure in different settings, emphasis on the development of a personal style. 
No. of assignments: 12

Paper-V          ADVANCE COMPOSITION
		Practical	Group (A)
Time-24 hrs		Maximum Marks-200 (Sessional-100; Examination-100)
			Medium: Oil, water colour, Acrylics etc.

Courses of study:
	Advancement of previous experience towards a complete pictorial interpretation, theme and expression of mood, symbolism, dramatisation, distortion for emotional effect. Projects with emphasis on independent creative work.
No. of assignments: 10

Paper-VI        PRINT MAKING
		Practical          Group (A)
Time-24 hrs		Maximum Marks-200 (Sessional-100; Examination-100)

Courses of study:
	Silk screen: Advanced work in multi-colour photo processes.
	Lithography: Advanced work in monochrome and multi-colour photo processes technique/Etching: Advanced printmaking in Intaglio, use of multi-colour relief print and mixed media. Introduction of photo processes/ etching printing.
No. of assignments: 10

Paper-VII        MURAL
		 Practical        Group (A)
Time-30 hrs		Maximum Marks-200 (Sessional-100; Examination-100)

Courses of study:
		Mosaic, Direct and Indirect methods, Designs, Materials and Techniques.
No. of assignments: 10

                                                       

GROUP- B

STREAM: APPLIED ART

2ND YEAR

Theory Papers:

Paper: I        HISTORY OF ANCIENT ART (Theory) 
Time: 3 Hrs.	Maximum Marks: 100
Courses of Study:
	Same as in Painting

Paper: II      ART AND SOCIETY (Theory)
Time: 3 Hrs.	Maximum Marks: 100
Courses of Study:
				Same as in Painting

Paper:III      METHODS AND MATERIALS (Theory)
Time: 3 Hrs.	Maximum Marks: 100
Courses of Study:
	Same as in Painting

Paper-IV      COMMUNICATIVE ENGLISH (Theory) 
Time: 3 Hrs.	Maximum Marks: 100
Courses of Study:
	Same as in Painting

Practical Papers: 

Paper-V       DRAWING
	         Practical	      Group (B)
Time-18 hrs		Maximum Marks-200 (Sessional-100; Examination-100)
Size: Half sheet.         Medium: Pencil, pen and ink, water colour

Courses of study:
                    Study of human figure: draped and undraped proportion: blocking of mass with 
                    the aid of light and shade. Head Study: planes and masses of the head from 
                    different angles.
                   Outdoor Sketching from nature.

No. of assignments:
Nature Drawing: 10
Human Figure Drawing: 6
Head Study: 6
Free-hand sketching: 1000

Paper-VI               PRESS  LAYOUT
		     Practical	      Group (B)
Time-18 hrs		Maximum Marks-200 (Sessional-100; Examination-100)
Size: 4 column x 25 cm.		Medium: Poster colours, pen and ink.

Courses of study:
Study of fundamental elements of layout and their practical application: preparation of simple typographical layouts for Newspapers. 
No. of assignments:
Press Layouts: 10

Paper-VII	     POSTER DESIGN
	                  Practical	      Group (B)
Time-18 hrs		Maximum Marks-200 (Sessional-100; Examination-100) 
Size: 20” x 30”		Medium: Poster colours 
Courses of study:
   	History of Poster, Different influences on Poster designing, Exercise to make different kinds of Posters.
No. of assignments:
No. of Posters: 10
Paper-VIII	    GRAPHIC DESIGN
	                  Practical	     Group (B)
Time-18 hrs		Maximum Marks-200 (Sessional-100; Examination-100)
Size: As per requirement		Medium: Poster colours, pen and ink
                
Courses of study:
A.	Study and history of letter forms: both Roman and Vernacular: letter as a design form; spacing; study of basic type faces; Interrelation of Negative and Positive space; 
B.	Exercises with basic shapes and textures in relation to space; Geometrical designs. Designing symbol, Logo, monograms, Book cover etc.
C.	Exercises of illustration with the different media on stories, poems & myths for designing of books for kids.	     	
No. of assignments:
Letter Writing: 5
Logo/ Symbol: 5
Illustration : 10

3RD YEAR

Theory Papers

Paper: I          HISTORY OF INDIAN ART (Theory) 
Time: 3 Hrs.	Maximum Marks: 100          
Courses of Study:
		Same as in Painting

Paper: II        HISTORY OF WESTERN ART (Theory)
Time: 3 Hrs.	Maximum Marks: 100                     
Courses of Study:
					Same as in Painting

Paper: III       ADVERTISING PROFESSION AND PRACTICE (Theory) 
Time: 3 Hrs.	Maximum Marks: 100                         Group (B)

NOTE:	  	(i) No. of Questions to be set- 10
(ii) No. of Questions to be attempted - 5
(iii) The questions are to be equally distributed among all the topics of the 	Syllabus.
		(iv) All questions will be of equal marks.
		
Courses of Study:	
A.	Introduction to Advertising, truth and fundamentals of Advertising, ethics in Advertising. Media of Advertising. Technical terms of Advertising.
B.	Principles of Design. Elements of design, its role and effect in Advertising layouts and its elements. Typography and its basic rules.
C.	Printing: Introduction of main printing processes such as Letterpress, Lithography, Gravure, Offset, Silk-screen, its history and development, latest techniques of printings..
D.	Trends and developments of Modern Advertising, Types of Advertising, Justification of Advertising for expenditure and growth.
Advertising for Nation-Building and Social welfare. Concept Planning and Creative Research.
E.	Advertising Agency, its structure and different departments. Function of different departments. Role of art studio in the Agency
Different Media of Advertising – Indoor, outdoor, Direct mail etc.

Practical Papers: 

Paper-IV          MAGAZINE LAYOUT & TYPOGRAPHY
		Practical	Group (B)
Time-18 hrs		Maximum Marks-200 (Sessional-100; Examination-100)
Size: half sheet.		Medium: Pencil, pen and ink, water colour.

Courses of study:
A.	Comparative study of different types and sizes of layouts; designing of simple illustrative and typographical layouts for magazines.
B.	Study and selection of typefaces for different layouts; use of letters and words as a visual element/ form; calculation of copy according to given space.
C.	Exercises of illustration with the different media on stories, poems & myths for designing of books for kids.

No. of assignments:
No. of Magazine layouts: 8
(Including 1 or 2 typographical layouts)
Free-hand sketching: 1000
Illustration for Book - 10

Paper-V            POSTER DESIGN
		Practical	Group (B)
Time-18 hrs		Maximum Marks-200 (Sessional-100; Examination-100)
Size: 20”x 30”		Medium: Poster colours, pen and ink, water colour

Courses of study:
Study of different schools of posters and their application to the project; making of posters, show cards, multi-sheet posters etc.

No. of assignments:
No. of Posters: 8

Paper-VI          PRINTING & PHOTOGRAPHY- I
		Practical	Group (B)
Time-18 hrs		Maximum Marks-200 (Sessional-100; Examination-100)
Size: As per requirement			

Courses of study:
 	Use of camera; observation and selection of subject, composition; exposing outdoors and indoors. Process of developing and printing (contact and enlargements). Films and their sensitivity.

No. of assignments:
Black and White Prints: 10

Paper-VII        COMPUTER GRAPHICS- I
		Practical	Group (B)
Time-12 hrs		Maximum Marks-200 (Sessional-100; Examination-100)
Size: As per requirement			 
Courses of study:
Introduction to Computer, Working with MS Word, paint brush, PageMaker, and CorelDraw; preparation of graphic design like Press Layout, Magazine Ad, Logo and stationery etc.
No. of assignments:
Magazine Ads: 2 (Product: 1; Social: 1)
Visiting Card: 1
Logo: 1
Letterhead: 1
Book Cover: 1
Point of Purchase item/ Packaging item: 1
Poster: 1

4TH YEAR

Theory Papers

Paper: I          HISTORY OF INDIAN ART (Theory)
Time: 3 Hrs.	Maximum Marks: 100
Courses of Study:
			Same as in Painting

Paper: II         HISTORY OF WESTERN ART (Theory)
Time: 3 Hrs.	Maximum Marks: 100
Courses of Study:
			Same as in Painting

Paper: III       ADVERTISING PROFESSION AND PRACTICE (Theory)
Time: 3 Hrs.	Maximum Marks: 100                         Group (B)

NOTE:	  	(i) No. of Questions to be set- 10
(ii) No. of Questions to be attempted - 5
(iii) The questions are to be equally distributed among all the topics of the 	Syllabus.
		(iv) All questions will be of equal marks.

Courses of Study:	
A.	Campaign Planning, appeal, objectives, continuity. Different kinds of Campaigns: Social, Product, Corporate Image, and Corporate Identity. Market Research & Analysis. Types of copy and Design approach of campaigning.
B.	Different functions of Advertising Business. Research and Motivational Research – present and future action. Importance of Marketing and Consumer Behaviour in Advertising.
C.	Print media and electronic media Potential – Television and Radio in the light of Mass Communication. Future of Advertising – Career options in Internet Advertising, web designing and Animation.

Practical Papers: 

Paper-IV	    PRODUCT CAMPAIGN DESIGN
	                 Practical	Group (B)
Time-24 hrs		Maximum Marks-200 (Sessional-100; Examination-100)
Size: As per requirement 		Medium: Any 

Courses of study:
A.	Introduction to advertising campaigns, Use of appeals and USP in designing advertising campaigns for products and services, knowledge of the principles and stages in designing campaigns.
B.	Exercises of illustration with the different media on stories, poems & myths for designing of books for kids.

No. of assignments:
No. of Product Campaigns: 2
Illustration for Book – 10

Paper-V                SOCIAL CAMPAIGN DESIGN
		    Practical	  Group (B)
Time-24 hrs		Maximum Marks-200 (Sessional-100; Examination-100)
Size: As per requirement	Medium: Any

Courses of study:
Collection of data regarding social issues and problems designing advertising campaigns on these issues and problems, designing campaigns for creating social awareness. 

No. of assignments:
No. of Social Campaigns: 2
Free-hand sketching: 1000

Paper-VI	    PRINTING AND PHOTOGRAPHY- II
	                 Practical	   Group (B)
Time -24 hrs		Maximum Marks-200 (Sessional-100; Examination-100)
Size: As per requirement			

Courses of study:
 	Advance work for advertising in Photography and printing.
No. of assignments: 
Black and White Prints: 10; Colour prints-10

Paper-VII	    COMPUTER GRAPHICS- II
	   	     Practical	      Group (B)
Time-12 hrs		Maximum Marks-200 (Sessional-100; Examination-100)
Size: As per requirement			 
Courses of study:
                     Advanced study in Corel Draw, introduction and advanced proficiency in Photoshop, MS Word and PageMaker, use of softwares in designing Product and Social campaigns. 

No. of assignments:
Advertising Campaign: 1(Product or Social). The following items are to be included 
in this:
Posters: 2
Press/ Magazine Advertisements: 2
Logo, Letterhead, & Visiting Card: 1 each 
Brochure or Any POP item (Dangler, Bunting, Show card etc.): 1

Group -C
STREAM: SCULPTURE 

2nd YEAR 

Theory Papers
   
Paper-I            HISTORY OF ANCIENT ART (Theory)
Time-3 hrs	Maximum Marks: 100 

.		
Courses of study:
			Same as in Painting 

Paper:II           ART AND SOCIETY (Theory)
Time- 3 hrs.	Maximum Marks:100

Courses of study:      
                                 Same as in Painting 

Paper:III-         METHOD AND MATERIAL (Theory)
Time- 3 hrs.	Maximum Marks:100
NOTE:		 (i) No. of Questions to be set- 10
(ii) No. of Questions to be attempted - 5
(iii) The questions are to be equally distributed among all the topics of the 	Syllabus.
(iv) All questions will be of equal marks. 

Courses of Study:
- Study of various media like clay, ceramic, wood, cement, plaster of peris etc. and techniques employed in creative sculpture (including moulding and casting)
-Out of these medias colouring and finishing of plaster, cement and wood sculptures and firing of terracotta, pottery and ceramic.
-Study of various stone, marble and metals for casting and fabrication like aluminium, bronze, copper, mild steel etc.
-Technique of carving and tools used for carving and finishing, polishing.
-Different Techniques of mould making for metal casting and various techniques for casting traditional, tribal and Italian Etc.
-Lost wax casting and sand casting, sculpturing by fabrication of metal patina and colouring.

Paper:IV -         COMMUNICATIVE ENGLISH (Theory)
Time- 3 Hrs       Maximum Marks: 100

Courses of study:      
                                 Same as in Painting

B.F.A (Sculpture) 2nd Year 
Group-C
Practical  Syllabus 

Paper-V: DRAWING  
Paper V   (Practical ) Group C
Time : 12 Hours         Max. Marks : 200 (Sessional: 100, Examination 100)
Minimum Size : Half Sheet
Medium : Pencil, Crayon, Conte, Charcoal.
No. of Assignments: 15

Courses of Study:
Drawing in Pencil, Crayon etc. from life, Antique models and other objects from Nature as also creative drawing reflecting structure of compositional concept.

Paper-VI:    COMPOSITION
 		   (Practical ) Group C
Time : 18 Hours         Max. Marks : 200 (Sessional: 100, Examination 100)
Minimum Size: 12"xl2"
Medium : Clay.
No. of Assignments : 06
Courses of Study:
Composition in Clay and in cast/ direct plaster with human figure, animal, birds and other objects and experiences from nature. Casting in plaster and cement round and relief.
Paper-VII:    PORTRAIT
	(Practical) Group C	
Time : 18 Hours         Max. Marks : 200 (Sessional: 100, Examination:100) Minimum Size : Life Size 
Medium : Clay & Plaster. 
No. of Assignments : 06
Courses of Study:
Head Study in Clay from plaster casts (Antiques -Eastern and Western) and from life model with and without the use of calipers, waste mould and cast in plasters.
Paper-VIII:  ADVANCE COMPOSITION
                       (Practical) Group C	
Time : 18 Hours         Max. Marks : 200 (Sessional: 100, Examination 100)
Minimum Size: 12" x 12"
Medium : Wood Carving/POP Carving/ Terracotta.
No. of Assignments : 06
Courses of Study:
Carving round and relief in wood with proper understanding of the character of wood and tools employed to carve and finish. Use of common bodies of different types of used for Terracotta. Use of Kilns for firing of these objects (Sculpture).

Group -C
STREAM: SCULPTURE

3rd YEAR 

Theory Papers
   
Paper-I              HISTORY OF INDIAN ART  (Theory)
Time-3 hrs	 Maximum Marks: 100 

Courses of study:      
                                 Same as in Painting 

Paper-II           HISTORY OF WESTERN ART (Theory)
Time- 3 hrs.	 Maximum Marks:100

Courses of study:      
                                 Same as in Painting 

Paper: III        AESTHETICS (Indian)  (Theory)
Time: 3 Hrs.	 Maximum Marks: 100
		
Courses of study:      
                                 Same as in Painting 

B.F.A (Sculpture) 3rd  Year 
Group-C
Practical Syllabus

Paper-IV:   DRAWING   
 		(Practical ) Group C
Time : 6 Hours         Max. Marks : 200 (Sessional: 100, Examination 100)
Minimum Size : Half Sheet
Medium : Pencil, Crayon, Conte, Charcoal.
No. of Assignments : 15

Courses of Study:
Advance exercise compared to syllabus of 2nd year with special emphasis on trunk and limbs of body as also figure, animal, birds in motion, layout for carving and casting.

Paper-V:   COMPOSITION
 		(Practical ) Group C
Time : 24 Hours         Max. Marks : 200 (Sessional: 100, Examination 100)
Minimum Size: 12"xl2"
Medium : Clay.
No. of Assignments : 06
Courses of Study:
Composition – individual or Group compositions based on specific subjects suitable for execution in a certain media particularly stone and metal, piece moulding and casting including in cement.

Paper-VI:    LIFE STUDY (PORTRAIT/ TORSO)
		   (Practical ) Group C
Time : 24 Hours         Max. Marks : 200 (Sessional: 100, Examination 100) 
Minimum Size : Life Size 
Medium : Clay, Plaster and Cement 
No. of Assignments : 06
Courses of Study:
Different types of Portraiture in clay, plaster, life study of torso portion, static and mobile leading to the understanding of role of torso in describing posture in human forms, life sizes as also over and under life size renderings. One head study or torso study based work in stone/ marble.
Paper-VII:     ADVANCE COMPOSITION
		     (Practical ) Group C
Time : 24 Hours         Max. Marks : 200 (Sessional: 100, Examination 100)
Minimum Size: 12" x 12"
Medium : Wood Carving/Stone Carving/Fibre Casting/Terracotta/Scrap Metal.
No. of Assignments : 06
Courses of Study:
Carving of Wood, Stones, marble etc. by direct and indirect method - relief and round. Flexible mould making and casting of composition suitable for fibre casting and use of scrap metal with welding – Terracotta making round and relief.

Group -C
STREAM: SCULPTURE
4th YEAR 
Theory Papers
   
Paper-I              HISTORY OF INDIAN ART (Theory)
Time-3 hrs	 Maximum Marks: 100 

Courses of study:      
                                 Same as in Painting 

Paper:II           HISTORY OF WESTERN ART  (Theory)
Time- 3 hrs.	Maximum Marks:100

Courses of study:      
                                 Same as in Painting 

Paper: III        AESTHETICS (Western)  (Theory)
Time: 3 Hrs.	 Maximum Marks: 100

Courses of study:      
                                 Same as in Painting 

B.F.A (Sculpture) 4th Year 
Group-C
Practical Syllabus

Paper-IV:   DRAWING   
		(Practical ) Group C
Time : 6 Hours         Max. Marks : 200 (Sessional: 100, Examination 100)
Minimum Size : Half Sheet
Medium : Pencil, Crayon, Conte, Charcoal.
No. of Assignments : 15
Courses of Study:
Advance work in nature of syllabus of 2nd & 3rd year.

Paper-V:   COMPOSITION
		(Practical ) Group C

Time : 24 Hours         Max. Marks : 200 (Sessional: 100, Examination 100)
Minimum Size: 12"xl2"
Medium : Clay.
No. of Assignments : 06
Courses of Study:
Advance work according to exercise learnt in 2nd & 3rd year.

Paper-VI:   LIFE STUDY (FULL FIGURE)
		(Practical ) Group C

Time : 24 Hours         Max. Marks : 200 (Sessional: 100, Examination 100) 
Minimum Size : Life Size 
Medium : Clay, Plaster, Cement and Fibre.
No. of Assignments : 06
Courses of Study:

Advance work of 2nd and 3rd year particularly full figure and combination of figure including in motion.

Paper-VII:   ADVANCE COMPOSITION
		(Practical ) Group C
Time : 24 Hours         Max. Marks : 200 (Sessional: 100, Examination 100)
Minimum Size: 12" x 12"
Medium : Wood Carving/Stone Carving/Fibre Casting/Metal Casting/Scrap Metal.
No. of Assignments : 06

Courses of Study:
Any two medium, advance work including experimental or mixed medium as done either in 2nd and 3rd year depending in medium chosen by student.